Bricks and Ballads
Ballads are memorable. This book was finished when the poet was fifty, with too much to remember: the shadows of the greater world, the bulldozers down the street tearing through a Victorian school, the generosity of its founders, its green graceful bell tower and its nesting jackdaws turned to a cry in the air.
The bricks go off to salvage and are lost in other streets but the poems remain. Ballads are bare and brief; tried by time. They salvage but they sing, stubbornly. Their stories are sure: a woman in the kitchen, Handel at his illicit feast, the Russian dog heading for space. Shakespeare stops for breath on the stairs. Mithras is the milkman. There are cats and wild cranesbill. The poems nudge us on.
The bricks go off to salvage and are lost in other streets but the poems remain. Ballads are bare and brief; tried by time. They salvage but they sing, stubbornly. Their stories are sure: a woman in the kitchen, Handel at his illicit feast, the Russian dog heading for space. Shakespeare stops for breath on the stairs. Mithras is the milkman. There are cats and wild cranesbill. The poems nudge us on.
About the author
Alison Brackenbury was born in Lincolnshire in 1953 and studied at Oxford. She now lives in Gloucestershire, where she works, as a director and manual worker, in the family metal finishing business. Her Carcanet collections include "Dreams of Power" (1981), "Breaking Ground" (1984), "Christmas Roses" (1988), "Selected Poems" (1991), "1829" (1995), "After Beethoven" (2000) and "Bricks and Ballads" (2004). Her poems have been included on BBC Radio 3 and 4, and 1829 was produced by Julian May for Radio 3. Her work recently won a Cholmondeley Award.