ISBN: PB: 9780300224306
ISBN: HB: 9780300200706
October 2016
296 pp.
23,0x14,6 cm
15 black&white illus.
PB:
£28.00
QTY:
HB:
£70.00
QTY:
Categories:
Ill Composed
Sickness, Gender, and Belief in Early Modern England
In the first in-depth study of how gender determined perceptions and experiences of illness in early modern England, Olivia Weisser invites readers into the lives and imaginations of ordinary seventeenth- and eighteenth-century Britons. Drawing on a wide range of sources, including personal diaries, medical texts, and devotional literature, this unique cultural history enters the sickrooms of a diverse sampling of men and women, from a struggling Manchester wigmaker to the diarist Samuel Pepys. The resulting stories of sickness offer unprecedented insight into what it was like to live, suffer, and inhabit a body in England more than three centuries ago.
About the author
Olivia Weisser is assistant professor of history at the University of Massachusetts, Boston. She lives in Cambridge, MA.
Reviews
"'Ill Composed' offers a fascinating inside view of what it was like to be ill in early modern England. The special focus on gender difference is an innovative approach which bears rich fruit in terms of our understanding of the social construction of health and illness. Solidly based on comprehensive archival research, the book is elegantly written" – Sara Mendelson, co-author of "Women in Early Modern England, 1550-1720"
"A lucidly told story which adds enormously to our understanding of the body's history. Weisser's extensive research takes us from the reflective diarists of the middling sort and elites to the scrappy but eloquent petitions of the begging poor. Through their stories, we gain a new understanding of the management of health, the suffering of illness, and the deep roots of the naturalisation of gender inequity" – Laura Gowing, King's College London
"'Ill Composed' is a landmark in the history of the patient, gender and spirituality. It's as though Weisser wrote this thoughtful and moving book with Samuel Pepys sitting on one shoulder and Roy Porter on the other" – Lauren Kassell, University of Cambridge
"'Ill Composed' responds to the two most pressing issues in the social history of medicine, illness and patients, and offers welcome insight into the history of pain and emotion" – Lynn Botelho, Indiana University of Pennsylvania
"Weisser's compelling study of the ways in which gender affected patients' perceptions of illness in seventeenth-century England provides an important corrective to the majority of existing literature, which tends to concentrate on either male or female patient experience without analyzing both together. Focusing on personal sources rather than medical discourse, the book gets as close as possible to the patient's perspective" – Cathy McClive, Durham University
"In 'Ill Composed' Olivia Weisser endeavors to recover the words, expressions, beliefs, and behaviorsof early modern patients – an aim in which she is successful" – Jennifer Evans, Journal of British Studies
"A lucidly told story which adds enormously to our understanding of the body's history. Weisser's extensive research takes us from the reflective diarists of the middling sort and elites to the scrappy but eloquent petitions of the begging poor. Through their stories, we gain a new understanding of the management of health, the suffering of illness, and the deep roots of the naturalisation of gender inequity" – Laura Gowing, King's College London
"'Ill Composed' is a landmark in the history of the patient, gender and spirituality. It's as though Weisser wrote this thoughtful and moving book with Samuel Pepys sitting on one shoulder and Roy Porter on the other" – Lauren Kassell, University of Cambridge
"'Ill Composed' responds to the two most pressing issues in the social history of medicine, illness and patients, and offers welcome insight into the history of pain and emotion" – Lynn Botelho, Indiana University of Pennsylvania
"Weisser's compelling study of the ways in which gender affected patients' perceptions of illness in seventeenth-century England provides an important corrective to the majority of existing literature, which tends to concentrate on either male or female patient experience without analyzing both together. Focusing on personal sources rather than medical discourse, the book gets as close as possible to the patient's perspective" – Cathy McClive, Durham University
"In 'Ill Composed' Olivia Weisser endeavors to recover the words, expressions, beliefs, and behaviorsof early modern patients – an aim in which she is successful" – Jennifer Evans, Journal of British Studies