ISBN: HB: 9780300177374

Yale University Press

June 2016

352 pp.

31,0x24,8 cm

194 colour illus., 106 black&white illus.

HB:
£60.00
QTY:

John Singer Sargent

Volume 9: Figures and Landscapes, 1914-1925 (The Complete Paintings)

The last in a series of books devoted to the work of John Singer Sargent (1856-1925), this volume covers the figure and landscape works that Sargent produced between 1914 and 1925. The story begins with the artist painting with friends on vacation in Austria in the summer of 1914, unaware that war was about to be declared. The following year, he began working in London on his ideas for the murals at the Boston Public Library and the Museum of Fine Arts, Boston, before spending two years in Boston and exploring other parts of America. While in Florida to paint a portrait of John D. Rockefeller, he produced a group of uniquely Floridian watercolors that are breathtaking arrangements of color, form, and light. In July 1918 he accepted an invitation from the British government to travel to the Somme battlefields as an official war artist. This experience led him to produce a remarkable group of works depicting troop movements, off-duty soldiers relaxing, and the studies for his epic canvas, Gassed. Sargent returned to Boston in 1921 and 1922 to complete his mural projects, and visits to Maine and New Hampshire yielded numerous watercolors. Chapters on Sargent's materials and the framing of his pictures complete this remarkable project.

About the author

Richard Ormond is a Sargent scholar and an independent art historian. He is author or co-author of books on Sargent, Landseer, Winterhalter, and Lord Leighton, and he is a great-nephew of John Singer Sargent.

Elaine Kilmurray, co-author and research director of the John Singer Sargent catalogue raisonne project, was co-curator of the exhibition Sargent and Italy in 2002-2003 and of the Sargent retrospective which opened at the Tate, London, in 1998.